Cinema Culture Documentaries

I never really liked the moronic hysteria around popular franchises like Star Wars . In fact, i am part of a large silent minority, who does not think the first films are perfect, feel that the prequels have their charm or the last iteration of this saga is the worst or the best of everything that exists in the galaxy. Simply, everyone has an idea of ​​what these movies should be, and it is impossible to meet everyone's expectations. My personal technique is to judge the film for what it is; whether it was nice or not, if it did not belong to a popular franchise. And in the case of The Last Jedi, the answer is yes. Most negative: Incidentally, this movie would probably be my favorite, if there was not this huge showcase of pokémon creatures (toys) constantly shoved through our eyes. They appear in exaggeration, contrasting with certain scenes and story arcs. This billionaire business model for selling toys has always been part of Star Wars. But making this movie an immense...

Future. Present. Past. Everything is connected. From the creators of the Matrix trilogy and the director of Run Lola Run . An exploration of how the actions of individual lives impact one another in the past, present and future, as one soul is shaped from a killer into a hero, and an act of kindness ripples across centuries to inspire a revolution. The story is a time-shifting weave of six interlinking narratives, with diverse settings from the savagery of a Pacific Island in the 1850s to a dystopian Korea of the near future. Based on the best-selling novel "Cloud Atlas" written by David Mitchell.

É incrível como a DC Filmes caiu do pódio da qualidade, desde o Cavaleiro das Trevas. Há um filme interessante debaixo do entulho, acerca do esforço conjunto de diferentes personalidades e a ressurreição de um herói caído. Mas este é um filme que foi sacrificado pelas restrições do tempo, o ritmo frenético, a piadola fácil, no forçar de uma formula que resultou numa copia atabalhoada da concorrência ( Marvel ). Múltiplos factores que impediram a narrativa deste filme de respirar, estupidificando os propósitos dos diferentes personagens, como se a direcção do filme fosse cozinhada por demasiadas mãos, impedindo que o fio narrativo fluísse naturalmente; resultando numa confusa amalgama que destoa de cena para cena. E sim, os efeitos CGI são fraquinhos. E é impossível não perguntar se os "reshoots" valeram a pena. Se os recursos não teriam sido melhor aproveitados a polir os aspectos técnicos deste filme, do que esbanjar tempo e dinheiro a esguichar a idílica poçâo ma...

  An apocalyptic story set in the furthest reaches of our planet, in a stark desert landscape where humanity is broken, and almost everyone is crazed fighting for the necessities of life. Within this world exist two rebels on the run who just might be able to restore order. There's Max, a man of action and a man of few words, who seeks peace of mind following the loss of his wife and child in the aftermath of the chaos. And Furiosa, a woman of action and a woman who believes her path to survival may be achieved if she can make it across the desert back to her childhood homeland

Grab Ex Machina [Blu-ray + Digital HD + DVD- http://amzn.to/2jeIGaj Alex Garland, writer of 28 Days Later and Sunshine, makes his directorial debut with the stylish and cerebral thriller, EX MACHINA. Caleb Smith (Domhnall Gleeson), a programmer at an internet-search giant, wins a competition to spend a week at the private mountain estate of the company's brilliant and reclusive CEO, Nathan Bateman (Oscar Isaac). Upon his arrival, Caleb learns that Nathan has chosen him to be the human component in a Turing Test--charging him with evaluating the capabilities, and ultimately the consciousness, of Nathan's latest experiment in artificial intelligence. That experiment is Ava (Alicia Vikander), a breathtaking A.I. whose emotional intelligence proves more sophisticated--and more deceptive--than the two men could have imagined