It's a mixed blessing, but "Frank Herbert's Dune" goes a long way toward satisfying sci-fi purists who mocked David Lynch's previous attempt to adapt Herbert's epic narrative. Ironically, director John Harrison's 288-minute TV miniseries (broadcast on the Sci-Fi channel in December 2000) offers its own share of strengths and weaknesses, which, in retrospect, emphasize the quality of Lynch's film in dealing with Herbert's novel with a more comprehensive authority. The debate will continue as to which movie is best; The extensive use of Lynch's internal monologue now seems a well-met challenge, and Harrison's more conventional approach is better equipped to convey the epic scope of Herbert's interplanetary political intrigue. \ N That's right: this "Dune" is a sumptuous treat for the eyes, with sets and costumes that were designed with no apparent limits of budget or creativity. Just in terms of architecture, this is one of the most impressive films in the history of science fiction. And while special effects are insufficient for the quality of the feature film, writer-director Harrison (who emerged from a vast experience on TV) admirably dominates the extensive narrative that crosses the opposing houses of Atreides and Harkonnen in a struggle to control the lucrative market of the spice mix. This is as accurate as any "Dune" adaptation will probably be (ie no need for another try), and even then, it can be tricky to track who is doing what to whom. Unfortunately, the biggest flaws of the film are the cast of an almost uncomfortable William Hurt as Duke Leto, and a wooden Alec Newman as the messiah-to-be, Paul Atreides. The failures are regrettable, but this "Dune" remains completely respectable. That Frank Herbert would be impressed is perhaps the greatest compliment one can do
Stargate is a military science fiction media franchise, initially conceived by Roland Emmerich and Dean Devlin, based on the idea of an alien Einstein–Rosen bridge device (the Stargate) that enables nearly instantaneous travel across the cosmos. The franchise began with the film Stargate, released on October 28, 1994, by Metro-Goldwyn-Mayer and Carolco, which grossed US$197 million worldwide.[1][2] In 1997, Brad Wright and Jonathan Glassner created a television series titled Stargate SG-1 as a sequel to the film. This show was joined by Stargate Atlantis in 2004, and a third spin-off series, Stargate Universe, in 2009. Also consistent with the same story are a variety of books, video games and comic books, as well as the direct-to-DVD movies Stargate: The Ark of Truth and Continuum , which concluded the first television show after 10 seasons. In 2011, Stargate Universe , the last Stargate program on television, ended its run and the franchise has been in limbo since. Brad Wrigh...
Trinta anos após os eventos do primeiro filme, um solitário Blade Runner, chamado K descobre um segredo há muito enterrado, que caso surja em público, tem o potencial de mergulhar o que resta de uma sociedade decadente no caos. Esta descoberta, atira K ( Gosling ) para a difícil missão de encontrar Rick Deckard (Harrison Ford), um ex-Blade Runner desaparecido durante tres décadas. Crítica: Seria fácil acusar Hollywood de tentar explorar dinheiro fácil, revisitando o clássico de culto de ficção científica de Ridley Scott, 'Blade Runner', 35 anos após o original de 1982. Que outro motivo haveria para a industria do cinema revisitar este mundo alternativo e distópico pintado de neon? Que não a oportunidade de facturar com mais uma marca reconhecida? Era o que inclusive, eu esperava deste filme, mais uma cópia desinspirada e derivativa do original; simplificada e dirigida ao consumo de massas. Felizmente, os meus receios não se materializaram. Blade Runner 204...
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